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PART II: EMEA (Europe, Middle East, Africa)Д¬hapter 6: Media Policy in the European Union: A Synoptic Overview of the Legislative Framework and a Critical Review of Some Current IssuesД¬onclusion: A Critical Review of Some Current IssuesД¬hapter 7: The Entertainment Landscape of the United Kingdom: Exploring British Television, Radio, and Film Previous ProtagonistвЂ™s Deaths and the вЂњOpen TextвЂќДЄ New Aesthetic: Subjective Camera, and a New Type of Audience Participation вЂњOpen TextsвЂќ as a Production Strategy in Search of Profit TodayвЂ™s Mass Media Crisis and the Migration/Evolution of AudiencesД¬hapter 5: Subjective Camera, Direct Address, and Audience Participation: Velho Chico and a New Brazilian Telenovela AestheticsД¬ontextualizing Brazilian Television, and the (In)famous Telenovelas The Rights of the Audience: A Future in the Hands of the Media

Entertainment MediaД¬hapter 4: Mexico: A Historically Asymmetrical Media Context Entertainment Media Expands Across BordersД¬hallenges Facing U.S. Entertainment Media Expands Across Industries Entertainment Media Expands Across Platforms Entertainment Media: Expansion Across Platforms, Industries and Borders

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The Canadian State, Policy and Regulation: A Political Boon to TV BusinessД¬onclusion: Within and Beyond Cultural ImperialismД¬hapter 3: U.S. The Story of American Cultural Imperialism in Canada: Continuity and ChangeД¬anada: A Media Periphery of Empire and a Peripheral Media CentreД¬anadian Cultural Industries Crossing Borders: TV Exports and TV Co-Productions Introduction: вЂњCanadian Content: Clearly, We Want to ExportвЂќ

Organization of the BookД¬hapter 2: Canadian TV Goes Global: Within and Beyond Cultural Imperialism World Entertainment Media: Global, Regional and Local Perspectives. Theoretical Frameworks on Global Media Entertainment Chapter 1: Introduction: Entertainment Media as a Lens to Probe the Twenty-First-Century Global LandscapeД®ntertainment Media in a Complex and Dynamic Twenty-First-Century Global Landscape